Guillermo Verdecchia’s Feast, now playing at Toronto’s Tarragon Theatre until April 27, 2025, offers a compelling examination of privilege, consumption, and the human desire for fulfillment. Directed by Soheil Parsa, the production delves into the complexities of modern life, globalization, and environmental concerns, presenting a narrative that is both thought-provoking and resonant.
The play centers on Mark, portrayed by Rick Roberts, a globe-trotting businessman whose pursuit of exotic culinary experiences leads him into a world of excess and self-discovery. Roberts delivers a nuanced performance, capturing Mark’s transformation from a detached professional to a man confronting the consequences of his indulgences. Tamsin Kelsey shines as Julia, Mark’s wife, whose journey from complacency to proactive survivalist adds depth to the narrative. Veronica Hortiguela’s portrayal of their daughter, Isabel, brings a youthful urgency to the themes of climate anxiety and societal disillusionment. Tawiah M’Carthy’s Chukuemeka provides a charismatic yet enigmatic presence, guiding Mark through his gastronomic adventures while embodying the complexities of cultural exchange.
Critics have noted the play’s ambitious scope. Intermission Magazine describes Feast as “resonant and rich and layered,” highlighting its exploration of globalization, privilege, and displacement. However, some have pointed out inconsistencies in the production’s execution. The Slotkin Letter suggests that while the play tackles significant societal issues, a re-evaluation of its structure might enhance its impact.
The staging, designed by Kaitlin Hickey, utilizes sliding doors and projections to create a versatile backdrop that reflects the play’s shifting locales and themes. Chris Malkowski’s lighting design and Thomas Ryder Payne’s soundscape further immerse the audience in the play’s atmospheric world. Despite these strengths, some reviewers have expressed that the production’s visual and auditory elements occasionally overshadow the narrative’s clarity.
Feast challenges audiences to reflect on their own roles within systems of consumption and privilege. By intertwining personal narratives with broader societal critiques, Verdecchia and Parsa offer a theatrical experience that is both intellectually stimulating and emotionally engaging.
For those interested in a performance that confronts contemporary issues with artistry and depth, Feast is a noteworthy addition to Toronto’s theatre scene.
Feast
- Venue: Tarragon Theatre, 30 Bridgman Ave, Toronto
- Dates: April 1–27, 2025
- Tickets: $15–$72, with discounts available for students, groups, and arts workers. Purchase online at tarragontheatre.com or call 416-531-1827.
Note: This review incorporates insights from Intermission Magazine and The Slotkin Letter to provide a comprehensive perspective on the production.
Main image by Jae Yang
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