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The Mummers’ Masque, A Newfoundland Christmas Kitchen Party
December 17, 2015 @ 8:00 pm - December 19, 2015 @ 10:00 pm
What
Dean Burry’s The Mummers’ Masque: experience Christmas mummer-style
When
8 pm, 17-19 December 2015; pre-show chat at 7:15 pm each evening.
Where
Enoch Turner Schoolhouse, 106 Trinity Street, near the Distillery District.
How
Tickets: $50 for regular; $43 for seniors; $20 for those 30 and under. Tickets available online from Toronto Masque Theatre or by calling 416-410-4561.
Who
For more information on Toronto Masque Theatre please go to our website.
A Newfoundland Christmas Kitchen Party
Move over Handel, watch out Scrooge. Enjoy a glass Christmas grog and experience composer Dean Burry’s rollicking alternative to your usual seasonal offerings; a celebration of the 400-year-old Newfoundland holiday tradition of mummering featuring music, dance and storytelling.
The beautiful Enoch Turner Schoolhouse is the perfect venue for this Mummer telling of the adventures of St. George (soprano Carla Huhtanen), his encounters with a rival knight and dragon (both played by mezzo-soprano Marion Newman) and romantic shenanigans with the mysterious Princess Zebra (tenor Christopher Mayell). Hosted by Father Christmas (baritone Giles Tomkins) the evening features singers from the Canadian Children’s Opera Company along with performances from step dancers Pierre Chartrand and Hannah Shira Naiman.
At the heart of the festivities is an all-star jug band led from the violin by Artistic Director Larry Beckwith, featuring Andrew Downing, double bass, Ian Harper, flute, penny whistle, uillean pipes, Joseph Macerollo, accordion, Terry McKenna, bouzouki, guitar and Ed Reifel, percussion.
This evening of dance, music, drama, stage combat and puppetry is directed by Derek Boyes and will have young and old tapping their toes and laughing uproariously. Guaranteed to raise the spirits!
The Mummer Tradition
Mummering is a Newfoundland custom dating back to the earliest settlers arriving from England and Ireland. In the early years, the tradition involved the performance of folk plays, presented around New Year’s and old Christmas Day. While varied in detail, the plots were consistent: a hero and villain battle, the villain is mortally wounded. The hero, feeling grief at the loss of a kindred warrior, summons a quack doctor who revives the villain through a series of outrageous cures and the enemies finally embrace in harmony. A simple story, outlining the cycle of death and re-birth, particularly apt at the turn of a new year.
As it’s currently practiced, mummering is primarily a house-visiting tradition. During the Twelve Days of Christmas, people disguise themselves with old articles of clothing and visit the homes of friends and neighbours, often covering their faces with scarves, masks or pillowcases to keep their identity hidden. Inverting the accepted rules of society is an important aspect of mummering, so cross-dressing is common, with men dressing as women and women as men. Travelling from house to house, mummers will carry musical instruments to play, sing and dance in the houses they visit. The host of these ‘mummers parties’ will serve a small lunch and perhaps some Christmas grog.
Inspired by these various traditions, The Mummer’s Masque is fashioned from the original, historic stories with music that blends contemporary opera and traditional folk styles. It is also the only known example of a classical solo for the Newfoundland Ugly Stick.
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