Paul Curran’s Tosca, the finale for the COC 2016/17 season, is filled with electric and memorable performances and is anything but shabby. Let me clue you in, in case you’re not familiar with Puccini’s Tosca,...
The Magic Flute is both sublime and ridiculous. The piece has ties to the Freemason movement of which Mozart and Schikaneder were members. The production presents the ideals of enlightenment versus the vaudeville antics of the playful Papageno and Papagena.
Handel’s Ariodante, like so many operas before it, weaves a tale of obsession, deception, heartbreak and redemption. Director Richard Jones updates this tale in both time and place, adding to it an empowering ending sure to satisfy.
Carmen opera Review: COC’s Carmen, full of beautiful music and singing, but a more convincing portrayal of passion would help the opera from feeling flat.
The melodies and music of Carmen is accessible in the best possible way, not in a pandering or simple way, it's just a great story with great music start to finish.